When the heritage comes from high fashion, magic occurs. And designer Hannah Khiangte Aizawl, from Mizoram, is leading the magic that is inaccessible. Known for its specific work with traditional Punan – a handwowel textile Central, Khiangte, has converted old craftsmanship over the age of a decade to contemporary coucher for Mizo identity. Keeping in mind the Bollywood icon Kareena Kapoor Khan, her latest composition is an ideal mix of cultural reverence and modern rebellion.
Launched in 2013, the label named Hannah Kiangte has always been vested with the objective. She works closely with female artisans in Mizoram, not only to preserve weaving traditions, but also to develop them – Puan’s stories, techniques and motifs in global fashion conversations. Whatever piece she makes is a tribute to the hands that has brought it down and the culture has given birth to it.
This is especially seen on Kareena at the launch of Bulgari Eden: The Garden of Wonders, there is no exception. Attracting deep inspiration from the traditional Punan, the apparel honors the symbolic essence of the cloth – worn during the Mizo ceremony, represents the Puan community, femininity and generational pride. But instead of limiting it to the past, Khiyangte gives it a dramatic, runway -able spin. Think: Androgynous tailoring comes from the boldness of punk-era. The silhouette feels sharp and strong, with exaggerated shoulders and structured layering that rebels recall the glam of the 80s. Nevertheless, it lives on the ground in craft, with accurate and care with the geometric motifs of the familiar horizontal band and the puran.
Speaking about Kareena’s look, the film’s producer and her stylist Riya Kapoor shared a special insight on Instagram. “We wanted anything in Indian culture, but was styled in a way that feels fresh, pointed and fashion-forward,” he explained. “Hannah’s re -rehabilitation was what we were seeing. The look was strong, woman, and completely original -like Kareena.”
In a world where fast fashion dominates, Hannah Khiangate reminds us what really matters: clothes with meaning, slowly and proud. Her cooperation with Kareena Kapoor is not just a fashion moment – it is a cultural milestone. One that says: Indian textiles are not just historical artifacts – they are powerful, living arts. And the world is finally watching.
