English badminton player Sean Wendy-all tattoos and aggressive hittings, a fortnight ago trying to match Taiwanese Lee-Yang at a pace in 16 rounds of England. His partner Ben Lane, a leftist, a more efficient and creative player who is capable of mike drop-moments while playing from the front court. But the wendy, which offers the muscles that offer a boom for combination, carried it forward this time. He went to charge on the net and both Lee and Yang got (who eventually won 23-21, 23-21) who were on the right side of the court, taking steps to the left, almost as synchronized, and apprehension of his intention to play cross backhand flicks.
Instead, he fools both of them, sent it down into a chutli fint.
The bang backhand cross was just a brilliant crook. The deception was not only dazzling in the execution of the Wendy, but in rather than going straight, but both Lee and Yang, standing forward and back, were convinced in the second way that the British would cross. Act 3 of this proneness exploded in the second feeling that divided by the divided other opponents, as they tried to lean reflectedly correctly and tried to reach for the shuttle, which went to surprise them. The right shoulders shook a tad more because they were eluded.
It was a standalone moment of gaiety against the play run, and created a weekly compilation of BWF of Best Backhands from Birmingham.
From this March, the company will get the company in the variant of this idea, all from England to Swiss Open. Thailand’s men’s doubles shuttler and Danish female singles player Line Cazersfelt, Kittinupong Kedrain, Basel will execute their versions of Backhand Down Don Line for perfection in Basel. Indonesian men’s single player Chico Wardoyo has played the biggest backhand lifts in its opener across England. But he had prepared to make it look as if he was sending it to a distant corner, and misled his opponent for another clever backhand straight winner.
This deception is not your experienced jaw leaving sornary of Tai Tzu-Yin, which is not to simply have a simple last-last-oriented, to send opponents out of the situation and look a little foolish. It is the smallest test of the wrist where the backhand (always expected to cross) serves as a decoy. This immediately when it sinks on the opponents that they have been cheated, and they try to dispose in vain, simply adds to the moment merge.
The beauty of the original backhand cross smash of badminton – easily the most beautiful stroke of the game, Regal Power, Whipping Speed, all of this is the power trajectory of all. Taufik Hidayat made it so beautiful that in your last few sessions on the circuit, you can enjoy Taufik Backhand and not worry enough about whether he won or lost. The stroke was a spectacle.
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In the current men’s shuttlers and women, there is Lee Zia Zia, Victor Excelsen and Liang Weeeng, a special backhand, with a special backhand, with a no-look 360-tavorial smash to win the last week.
Incredible no-look backhand.
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But rapidly, the check-shot where the wrist is cocks, removes the four-arm untrue-control and natural fliking action is stopped in the rank to convert the arch into a straight line, which matches the backhand smash to win into the efficacy.
Arm radius and ulna bones catch rock stood and carpal bones, such as traposoids, trapezium, capitate, schfoid, and more malignant, breathtaking, triator, hamet, pesium and ancient Greek-scripture and ancient Greek-Santting Hamulous of Hamullas, which is done for the alonar joint. It is a lot of skeletal parts to add nuances to the backhand’s natural placement.
Of course, none of it is visible to the eye, although professionals spent years to complete this deception. But how opponents are seen, it is a lot of fun to see the replay.
Prannoy’s backhand deception
You can also say that India’s backhand Beast HS Paranoy won his World Championship Bronze, not reduced Victor Excelson, with the help of this backhand deception – a video worth watching on the loop for the eye on coach Guru Saeedatta’s face.
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Badminton, like most other sports, look at the atrocities of power. The unbreakable smash that is buried in the floor, often smooth, is a fierce full-stop for a rally that is unavoidable applause. But soft shots from a backhand performance list, which do not shoot the past and are simply executed as surprise, can make more mess than power with rival heads, selecting the moment.
Downs and lines (very difficult to execute) can confuse rival radar, and can trigger fear of open-to-legs opening, and plan can force BS, even if it is just once you play misleading backhand. It is largely placement, not power, but also an artistic turn that brings a smile to all. The cone artist has no fist pump, just a foolish smile was well drawn for a point, a clash cleverly won.
